Shelton Studios

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Q&A's

How much will my recording costs?
What about copyrights?
What services do you provide?
How many musicians can you record at once?
What is the equipment in use?
What DAW (Digital Analog Workstation) Software is used?


 

 

 

Recording Services:

  • Professional Master CD or MP3
  • Orchestration for your Compositions
  • Sheet Music
  • Advertising Spots with voice over
  • Instructional Recordings and accompaniments
  • Thousands of instruments and sounds via MIDI keyboard and MIDI modules.
  • Live Recording with background with live and MIDI accompanying
  • Live Recording for musicians
  • Unlimited virtual live tracks with optional MIDI tracks
  • Accompanying CD for your performances (music-minus one style)

An overview of the studio and recording process:

    There are many options that can be utilized in this studio. From recording your music from purely live performance and other live musicians to combining your performance with an MIDI arrangement to sound as full band or orchestra. Flexibility has been the emphasis is this recording studio. The fee is $60.00 per studio hour from the scheduled start time including studio setup time.

Pre-Production preparation is key to using time wisely in the studio. I recommend that you have prepared exactly what you want recorded written out for everyone that will be involved and a good idea what you want. If you would like more information on recording techniques as well as getting prepared for the recording process, please email at stuartshelton@comcast.net

 

 

 

 

Production tasks, fees and other considerations:          

Rates and Terms

When considering the total cost of your recording project, be sure to include the cost of the performers, the cost of the venue, the cost of tuning the piano, the cost of the actual recording time, the cost of post-recording editing and mastering, the cost of label and case design, the cost of CD production, the cost of distribution and the cost of gaining permission to record the repertoire. Please read Recording Copyrighted Music3 page. To keep costs down, make sure you are well prepared before you begin recording. Paying me to listen to you practice is not very efficient. Your final cost will be determined by what you want and need. While I cannot give you a firm total price in advance, you will know your cost range before we start the process.

I like happy, repeat clients who feel they have received good value and gladly pass my name to friends and colleagues.

I charge $60.00 per hour for recording and post-recording processing. What you witness in the recording session is usually but a small component of the time required in the process of making a finished CD. Most of my time and expertise goes into post-recording editing and mastering. That is where your raw recording is transformed into a listenable -- and saleable -- product. A couple of very, VERY rough rules of thumb may be to assume the mixing, editing and mastering process will take twice to three times the time it took to record. If you spend 2 hours "laying tracks," assume there will be an additional 4 - 6 hours of charged processing time. Another way to estimate is that for every 2 minutes of finished music time, estimate an hour of post-recording processing.  This is not a promise; it could take more or less time. Just be aware that what you experience in the recording session is not all there is to it.

Typical cost ranges may be:

1.      Voice or instrument and piano audition / archival recording: 2 microphones, handheld digital recorder, up to 2 hours recording, 1 to 5 hours post-recording editing / mastering, one hand labeled Stereo CD Option 1 $90.00 - $420.00

2.      Concert basic archival: 2 microphones, handheld digital recorder, up to 2 hours recording, 2 to 6 hours post-recording editing / mastering, one hand labeled Stereo CD Option 2 $120.00 - $480.00

3.      Voice with pre-made midi orchestration for one 3 minute song, 1 hour of recording, 1 to 6 hours post-recording editing/ mastering, one hand labeled Stereo CD Option 3 $120.00 - $420.00

4.      Voice with typical custom midi orchestration for one 3 minute song, 1 hour of recording, 1 to 10 hours post-recording editing/ mastering, one hand labeled Stereo CD Option 4 $120.00 - $660.00

5.      Live Band Recording in Studio, 4 pieces, one 3 minute song, 1 hour of recording, 2 to 4 hours post-recording editing/ mastering, one hand labeled Stereo CD Option 5 $180.00 - $300.00

All recording, mixing, editing, mastering and other post-recording production time is charged at $60.00 per hour.

Label and case design can be arranged at $60.00 per hour. While I do have some artistic taste, I am not a graphic artist. If you want an attractive but utilitarian label, I can do that. If you want state-of-the-cover-art, we'll put you in touch with some terrific artists.

 CDs can be ordered in any quantity. These are burned CDr's however and are not the same as produced from a glass master (at a production factory). The implications are that they might not be playable in old CD players.

 

 

 

 

Recording Copyrighted Music

If you are making recordings, be aware that you are legally allowed to make only one copy for use in teaching or as an archive without being required to obtain and pay copyright license fees. If you plan to duplicate CDs for sale or as gifts for your friends or students or congregants, it is necessary for you to obtain and pay mechanical license fees to the copyright holder, composer and arranger of each piece you record.

The copyright owner has the exclusive right to reproduce copyrighted works on CD, DVD or tape. Music educators who record student performances, churches who record musical services or anyone who records someone else's compositions and want to distribute copies of the recording must obtain and pay the copyright holder for the right to use their music.

There is no problem obtaining permission to record. Once a recording of a musical work has been distributed to the U.S. public under the authority of the copyright owner, any other person may obtain a license to record the work by complying with certain procedures and by the payment of the royalty.

What if I am a non-profit organization or I am selling the CDs at my cost?
Giving the recordings away, being a non-profit organization, not making any profit on the recording project, or not selling to the general public are not exceptions to the law. If you produce more than one copy, mechanical licenses must be obtained and their fees paid.

Who is legally responsible to pay for the license?
It doesn't matter who pays the license fees as long as they are paid. If they are not paid, then everyone involved in the project could be legally liable: the performers, the school system or church, the director or minister, the recording company and/or recording engineer (see waiver at end), and the organization or association who is hosting the concert or festival.

How do I get permission to record copyrighted musical pieces?
Mechanical licenses are obtained from the publishers. Once the license is obtained, payments must be sent to the publisher. You can deal directly with the copyright holders and negotiate a fee per piece, per copy. Current rates are 9.1 cents per musical piece 5 minutes or less, and 1.75 cents per minute for pieces greater than 5 minutes.
A much more convenient avenue is through the
Harry Fox Agency, a division of the National Music Publishers' Association (NMPA). Currently Harry Fox requires a minimum of 500 licenses regardless of the actual amount of recordings (CDs, tapes, etc.) made up to 500. That means that for each piece you record under 5 minutes in length, plan to spend $45.50 for the license to record it. If you intend to make more than 500 copies, more licenses are required.

Penalties for Infringement
The remedies provided by the law to a copyright owner may mean that a music educator or church member and his/her institution or association or an individual artist found making illegal copies, or otherwise infringing, will face:

Payment of from $500 to $20,000 statutory damages and if the court finds willfulness, up to $100,000 per copyright infringed.

If willful infringement for commercial advantage and private financial gain is proved, criminal fines of up to $250,000 and/or five years' imprisonment, or both.

 

 

Recording Spaces

5 to 6 musicians could be recorded simultaneously.

Rooms

Control Room

Room 1 (Grand piano & Electric Drums)

Room 2

Sound Booth 1

Sound Booth 2

 

 

 

 

Shelton Studios: Equipment & Configuration

Microphones

Gefell M930 Pair
Peluso 2247 Le Pair
Peluso P28 Pair
AKG C 414 B-ULS Pair
Josephson C42 Pair
Shure PG57
Shure SM58
EV MC200
Shure SM-57 LC Pair
AKG C 3000
AKG C 2000 B
AKG D 112
Rhode NTK
Shure Beta 87a Pair
Audio-Technica AT825 Stereo Mic
Audio-Technica AT4033a
Rhode NT4 Stereo Mic
Sennheiser E865

Studio Instruments

Yamaha Motif ES8
Roland RD-700SX
Roland RD-700GX
Roland V-Drums
Yamaha C2 Grand Piano
Kurzweil 2000
Roland XP80
Yamaha EX5 Synth
Yamaha CP33

Recording Equipment

API DSM24 System
Mac Pro & 30" Monitor
API 512C Mic Pres (16)
API 550b Eq (2)
API 525 Compressor (2)
Crane Song Flamingo 2 Ch Mic Pre
Manley Massive Passive
Pendulum Audio OCL-2 Tube compressor
API 2500 Buss Compressor
Lexicon PCM91 Reverb
Focal Twin6 Be Monitors
Mackie UI
Rosetta 800
Apogee 16DX
Apogee 16DA
Alesis Masterlink
JBL LSR4328P (2) & LSR4312SP (1) Monitors
Mackie 624 Monitors
Dynaudio MB15a's Monitors

DAW Production Software

Logic Pro 9
All East/West Play Edition VI
Ivory w/Italian Grand
Trilogy
UAD Plugins Package
WAVES Platinum Package
Ozone 4
Machfive 2
Melodyne
ARC
BFD2
Altiverb
2cAudio Aether reverb
Finale
Band in Box
Groove Agent 2